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Choose-What-You-Pay tickets now on sale for summer events!
Experience boundary-blurring presentations in music, dance, visual art, comedy, spoken word, and multidisciplinary collaborations from around the world that build upon the eclectic mix of creativity found throughout New York City and beyond.
Upcoming events
Summer for the City
The Dream Machine Experience
The Bridge
Lincoln Center Presents
A Production by Dream Machine Experience Inc. & SOZO
June 26 - All Day
Full-campus experience
AUGMENTED REALITY
Summer for the City
Kids, Teens, and Families
Musical Theater Storytime with A. J. Freeman and Kristin Bair
Lincoln Center Presents
In collaboration with The New York Public Library for the Performing Arts
June 26 at 11:00 am
The Garden at Damrosch Park
THEATER
FAMILY
LITERATURE
Summer for the City
Kids, Teens, and Families
Musical Theater Storytime with A. J. Freeman and Kristin Bair
Lincoln Center Presents
In collaboration with The New York Public Library for the Performing Arts
June 26 at 1:00 pm
The Garden at Damrosch Park
THEATER
FAMILY
LITERATURE
Summer for the City
The Dream Machine Experience
The Dream Machine
Virtual Reality Experience
Lincoln Center Presents
A Production by Dream Machine Experience Inc. & SOZO
June 26 - All Day
Griffin Sidewalk Studio, David Geffen Hall
VIRTUAL REALITY
This is your place to BE this summer
CELEBRATE new commissions for the first time
Nona Hendryx pushes the boundaries of art and technology, combining the physical and digital worlds in The Dream Machine Experience through June 30. Bring on the laughs as the clever, big-hearted stylings of musical theater maestro Ethan Lipton & His Orchestra are elevated for the first time by a full orchestra on June 28. In July, the Festival Orchestra of Lincoln Center performs the North American premiere of Huang Ruo’s City of Floating Sounds, an interactive work that fuses music and technology with a mobile app-enabled soundscape and live performance. Or, celebrate the Queens of Hip-Hop with an immersive night of orchestral music, DJs, and dance.PARTICIPATE at the intersection of arts and civic engagement
Join us for our Civic Saturdays performance series, designed to unite friends and strangers in the spirit of shared community. On July 6, we present Anthem to US, the culmination of a monthslong collaborative effort to create a contemporary anthem echoing our collective hopes, struggles, and histories. At Damrosch Park, we present The Ritual of Breath, a deeply moving, meditative experience that responds to the murder of Eric Garner. In August, pop culture meets activism with the Ruidosa Fest, the Latine-led international feminist platform, with a full day of lectures, live music, and a late-night silent disco.SING and DANCE with the return of long-time favorites
NYC's largest outdoor dance floor with a now-iconic 10-foot disco ball shines bright as the centerpiece of Summer for the City with FREE social dance nights and silent discos every week. The Wedding: New York's Biggest Day also returns for the third year, inviting hundreds of couples to celebrate love. Free family shows for all ages, including storytimes, Big Umbrella Day, and dance workshops are offered all summer long. Plus, much-loved performances—globalFEST, a Juneteenth Celebration, BAAND Together, Deaf Broadway, La Casita, and so much more—come back for an encore!We've sent an email to the address you provided. To complete your subscription, please click the link in the email.
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The Dream Machine Experience
From the mind of the incomparable Nona Hendryx, comes a brand-new experience that pushes the boundaries of art and technology this June. Learn more »Passport to the Arts
Designed for children, teens, and adults with disabilities and their families, Passport provides a welcoming and accessible introduction to the performing arts. Register here »For free this summer
Summer for the City
Summer for the City
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Thanks to Our Supporters
Major support is provided by the Shubert Foundation
Additional support is provided by Fairfield by Marriott Central Park
Lincoln Center’s artistic excellence is made possible by the dedication and generosity of our board members
Operation of Lincoln Center’s public plazas is supported in part with public funds provided by the City of New York
Programs are made possible, in part, with public funds provided by the New York City Department of Cultural Affairs, Empire State Development, and the New York State Council on the Arts with the support of the Office of the Governor, Mayor of the City of New York, the New York State Legislature and the New York City Council
NewYork-Presbyterian is the Official Hospital of Lincoln Center
United is the Preferred Airline of Lincoln Center Presents
Steinway & Sons is the Preferred Piano Partner of Lincoln Center
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Lincoln Center for the Performing Arts
Lincoln Center Plaza, New York NY 10023
Transportation
By Subway: The nearest accessible subway stations are the West 66th Street station (1 train) and the 59th Street-Columbus Circle station (A, B, C, D, or 1 trains).
By Bus: The M5, M7, M10, M11, and M104 bus lines all stop within one block of Lincoln Center campus.
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Box Office
CenterCharge at 212-721-6500 from Monday–Saturday 10:00 am–8:00 pm and Sunday noon–6:00 pm
How to get tickets
The majority of Lincoln Center Presents programs are FREE or Choose-What-You-Pay. Learn more »Parking
To reserve parking, call 212-721-6500 or visit the Parking Reservations website.
Accessibility
Lincoln Center’s approach to accessibility mirrors our commitment to transform performing arts spaces to be more inclusive of our audiences’ identities and access needs by design, not as an afterthought or add-on.
Health & Safety
Face masks are encouraged, but not required. Proof of COVID-19 vaccination is also not required; however, we encourage everyone to remain up to date on vaccinations before attending. If you have been exposed to someone who tested positive for COVID-19 in the past 10 days, a high quality, well-fitting face covering is required at all times.
Tickets are now on sale for Summer for the City events.
To access exclusive benefits, explore membership today.
Our goal is to continue exploring new ticketing practices together as a community to make our performances more accessible to more people and to center equity and inclusion in every aspect of our field. The majority of Lincoln Center Presents programs are FREE or Choose-What-You-Pay. Please refer to the dedicated event page of the show you’d like to attend to confirm ticketing options.
Free General Admission Events
Many performances and events, including all programming at the David Rubenstein Atrium, are available for FREE via General Admission—first-come, first-served. Advance reservations are not required for these events; just show up! While we'll do our best to accommodate as many guests as possible, we cannot guarantee admission. Look for the “FREE” label on calendar listings and show pages, or select the “Free” calendar filter to search for a wide range of free programming.
Free Fast Track Option
All Lincoln Center Presents events at the David Rubenstein Atrium offer a Fast Track reservation option, giving priority entry into events. Reservations for Fast Track will open every Monday at noon for that week's events and can be reserved on this page. While event admission is not guaranteed, Fast Track reservation holders will have priority entry over the General Admission line up until 30 minutes before show time. Please check the event's dedicated web page to confirm if Fast Track is available for the performance you'd like to attend.
Choose-What-You-Pay Events
Choose-What-You-Pay tickets to the Lincoln Center Presents spring season are on sale now.
With Choose-What-You-Pay ticketing, you decide what's right for you. We offer a suggested ticket price, as well as options to pay more or less. The minimum ticket price is $5.00.
3 Ways to Buy Tickets
There are three ways to purchase Choose-What-You-Pay and full-price tickets.
1. Book online from the event's dedicated web page.
2. Call CenterCharge at 212-721-6500 from Monday–Saturday 10:00 am–8:00 pm and Sunday noon–6:00 pm.
3. Book in-person at the Alice Tully Hall box office (Broadway and 66th Street) or the David Geffen Hall box office from Monday–Saturday 10:00 am–6:00 pm and Sunday noon–6:00 pm.
Fast Track
Bookmark this page and revisit all season long to book your FREE Fast Track reservations for Lincoln Center Presents events at the David Rubenstein Atrium! Reservations for Fast Track will open every Monday at noon for that week's events.
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Fast Track reservations opening June 24 at noon
Fast Track reservations opening July 1 at noon
Choose-What-You-Pay
Choose-What-You-Pay tickets to Summer for the City are on sale now! With Choose-What-You-Pay ticketing, you decide what's right for you. We offer a suggested ticket price, as well as options to pay more or less. The minimum ticket price is $5.00.
Tickets on sale now
Thanks to Our Supporters
Latin Jazz in New York City (1920-1960)
To make the arts more accessible, tickets are available on a Choose-What-You-Pay basis.
Part of Legacies of San Juan Hill, an ongoing project that aims to uplift the history, communities, and cultural legacy of the Manhattan neighborhoods that existed in and around the area where Lincoln Center was built.
Co-presented by the Center for Puerto Rican Studies/Hunter College and Lincoln Center
Jazz thrived over generations in San Juan Hill, a historic Manhattan neighborhood home to many iconic musicians, theaters, clubs, and dance halls in the first half of the twentieth century. Jazz musicians who lived and performed there fueled a vibrant creative community and evolved the genre through the stride piano, swing, and bebop eras. Notable residents included James P. Johnson, Benny Carter, and Thelonious Monk, legends in jazz history who are celebrated today.
Yet, an important part of this music history is often untold—Latin influence on jazz. As the Afro-Caribbean community in New York grew in the 1920s and 30s, the city was becoming a global leader in the music industry—through recordings, sheet music, piano rolls, and radio. In this environment, Puerto Rican musicians found opportunities to play in the jazz bands and Cuban ensembles that were gaining popularity, as well as to make their own music—bolero, plena, danza, seis, aguinaldo. The Afro-Caribbean sounds that shaped the art form and the accomplishments of Puerto Rican and Cuban musicians, such as Ram Ramirez and Mario Bauza, fundamentally influenced jazz and the music industry.
Join us for a discussion and live musical demonstration of the Latin jazz forged in and around San Juan Hill in the last century, an integral part of the jazz canon and the legacy of the neighborhood that still resonates today.
This event includes a live musical demonstration by Bobby Sanabria. Enjoy complimentary wine and conversation after the panel discussion.
Moderator:
- David Gonzalez (Staff Writer, New York Times)
Panelists:
- Bobby Sanabria (Musician and Co-Artistic Director, Bronx Music Heritage Center)
- Chris Washburne (Musician, Author, and Professor of Music, Columbia University)
- Annette Aguilar (Musician and Founder of the Women in Latin Jazz Festival)
About the panel participants
David Gonzalez is a writer and photographer at the New York Times’ Metro Desk. Prior to that, he co-edited the Lens Blog and wrote the weekly Side Street column, which he also photographed. Since arriving at The Times in 1990 from Newsweek Magazine – where he had been a national correspondent in Detroit and Miami – he has served as The Times’s Bronx Bureau Chief, Metro Religion writer, About New York columnist and the Central America/Caribbean Bureau Chief. More recently, he wrote the biweekly Citywide feature column, as well as having published a year-long look at the life of an undocumented family in New York City. As a long-time member of the Metro desk of The New York Times, his work has often focused on the city’s neighborhoods and how they reflect the larger social and cultural issues in American society.
Bobby Sanabria, drummer, percussionist, composer, arranger, documentary film producer, and multi-Grammy-nominated leader, is a native Nuyorican son of the South Bronx. He has performed and recorded with such legends as Dizzy Gillespie, Tito Puente, Mongo Santamaria, Paquito D'Rivera, Charles McPherson, and the father of Afro-Cuban jazz, Mario Bauzá. His big band albums have all been nominated for Grammys including Afro-Cuban Dream: Live & In Clave!!!, Big Band Urban FolkTales, Multiverse (double-Grammy-nominated), and West Side Story Reimagined—which was awarded the Jazz Journalists Record of The Year Award for 2019, being hailed a masterpiece by the Wall Street Journal—as well as Kenya Revisited Live!!! and Tito Puente Masterworks Live!!! with Bobby conducting the Manhattan School of Music Afro-Cuban Jazz Orchestra. His numerous awards include being inducted into the 2006 Bronx Walk of Fame, the 2018 Jazz Education Network's LeJENS of Latin Jazz Award, and recently being bestowed an Honorary Doctorate by Lehman College. He is on the faculty of New School University (his 28th year) and is the host of the Latin Jazz Cruise on WBGO FM. His new album with his Multiverse Big Band, Vox Humana, features Janis Siegel, Antoinette Montague and Jennifer Jade Ledesna. https://bobbysanabria.com
Chris Washburne is Professor of Music at Columbia University, Chair of the Music Department, and the Founder and of Columbia’s Louis Armstrong Jazz Performance Program. He has published numerous articles on jazz, Latin jazz, and salsa. His books include Bad Music: the Music We Love to Hate (Routledge, 2004), Sounding Salsa: Performing Latin Music in New York (Temple University Press, 2008), and Latin Jazz: The Other Jazz (Oxford University Press, 2020). As a trombonist, he has performed on over 150 recordings, two Grammy winners and seven Grammy nominated.
Annette Aguilar is a multi-percussionist, recording artist, educator, producer, and bandleader. In 1992, she formed her Latin Jazz, Brazilian, and Salsa group, Annette A. Aguilar & StringBeans. They have performed at festivals and venues across the United States, including The Kennedy Center, San Jose Jazz Festival, New Haven Jazz Festival, San Franciso’s Carnaval, and the Yerba Buena Garden Festival. Annette has worked on several Grammy Award-winning Broadway shows, including Lin-Manuel Miranda’s In the Heights, Paul Simon’s The Capeman, and Daryl Waters' Street Corner Symphony. In 2014, she started the Women in Latin Jazz Festival to uplift female instrumentalists and diversity in the field.
About the Center for Puerto Rican Studies/Hunter College
Founded in 1973 by a coalition of students, faculty, and activists, the Center for Puerto Rican Studies at Hunter College (CENTRO) is the largest and oldest university-based research institute, library, and archive dedicated to the Puerto Rican experience in the United States. It provides support to students, scholars, artists, and members of the community across and beyond New York. Additionally, it produces original research, films, books, and educational tools and is the home of The Centro Journal—the premiere academic journal of Puerto Rican Studies. CENTRO’s aim is to create actionable and accessible scholarship to strengthen, broaden, and reimagine the field of Puerto Rican studies. Learn more at centropr.hunter.cuny.edu.
If you have any questions about this event, please contact Guest Experience at 212-875-5456 or [email protected].
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Latin Jazz in New York City (1920-1960)
To make the arts more accessible, tickets are available on a Choose-What-You-Pay basis.
Venue
Kenneth C. Griffin Sidewalk Studio, David Geffen Hall
Accessibility
Be Part of Our Community!
Thanks to Our Supporters
Support Our Artistic Community
Lincoln Center is committed to the power of the arts and the important role it plays in our lives. Give today to join our mission and help champion the future of Lincoln Center.
A contribution of any size makes a big impact!
We've sent an email to the address you provided. To complete your subscription, please click the link in the email.
Be the first to know!
Thank you
Receive hot-off-the-press news about Lincoln Center Presents.
We've sent an email to the address you provided. To complete your subscription, please click the link in the email.
Submit