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Lincoln Center Presents brings you closer to the performing arts.

Each week, discover something new, with hundreds of programs across dance, theater, music, and work that defies expectations. Here, tradition meets what’s next with community-rooted, global, and contemporary voices as expansive as our audiences. You’ll find our programs on stages and in gathering spaces throughout Lincoln Center, home to eleven iconic resident arts organizations. And all of our Lincoln Center Presents programs are Free or Choose-What-You-Pay, because experiencing the arts should be within everyone's reach.

Shanta Thake, Ehrenkranz Chief Artistic Officer, shares what's ahead this season.

Q+A: Shanta Thake

Shanta Thake, Ehrenkranz Chief Artistic Officer; photo by Lawrence Sumulong

First, what makes Lincoln Center such an iconic place to experience a performance?

There's always something incredible happening here, and it never happens the same way twice. What I love is that this place really feels like New York. On any given night, neighbors, old friends, and first-timers are sitting side by side, and they change the experience every time. You can go from eclectic weekly shows in the David Rubenstein Atrium to our mainstage performances in the Alice Tully Hall — and you're always steps from our resident arts organizations including the New York Philharmonic, New York City Ballet, the Met Opera, and Jazz at Lincoln Center — a density of great art-making that doesn't exist anywhere else in the world. I think there's a real energy from being surrounded by it all. It can draw us toward new voices and new perspectives, and closer to the people next to us experiencing it all together.

What are some of this season's highlights for you?

This year's Lincoln Center Presents is built around artists I can't wait for you to see: groundbreaking voices from around the world alongside visionary creators from New York City and beyond. This January, we're back with JanArtsNYC, the city's largest gathering for new work in theater, dance, opera, music, and performance. For a few weeks, Lincoln Center will be a hub for it all, starting with the second Lincoln Center Contemporary Dance Festival, our new biennial festival exploring what's next in contemporary dance. We're also thrilled to welcome back the citywide Under the Radar Festival, with the latest in cutting-edge theater, and globalFEST, which brings some of the world's most vital music to David Geffen Hall for a one-night takeover. And later in the season is our annual American Songbook series, once again curated by Lincoln Center Artist-in-Residence, designer, creative director and producer, Clint Ramos.

With so much going on, how do you know what to choose?

Our programming is so varied that I always encourage people to start with our featured performances, and check out the series and festivals that run throughout the year. One of our programs that I'm especially looking forward to is La Obra from Mariano Pensotti and Grupo Marea, a daring piece about memory, complicity, and the strange power of performance to make us believe. Because all of our events are Free or Choose-What-You-Pay, you can come back often, bring friends, and try something new all season. That variety extends to access, too: from relaxed performances to our Big Umbrella festival for neurodivergent audiences, we want everyone to find what's right for them. And there's plenty for families, too. This winter, Wakka Wakka's Dead as a Dodo sends two best friends on a puppet adventure through the underworld. And in the spring, DIRT invites kids to rebuild New York City after the East River disappears, using snacks and 15 pounds of real pudding.

How does Lincoln Center Presents programming connect with the neighborhood Lincoln Center calls home?

As we break ground on a new park on the west side of campus, this season is rooted in all the ways Lincoln Center has already been transformed by artists, audiences, neighbors, and stories. Over the past few years, audiences have joined us in learning the layered, living history of San Juan Hill, encountered boundary-crossing performances from around the world, discovered their own artistry, and helped plant seeds that are now beginning to bloom. This year, those seeds burst open — a season built on deeper relationships with our city, our artists, and you. Beyond attending performances, there are countless ways to get closer to artists and to sing, dance, and create. Our Come & Sing community choir is open to everyone, with songs this season ranging from Broadway showstoppers to pop punk anthems. Everyone is invited to try something new, because in coming together, I think we become part of something larger than ourselves.

What does this season mean for you?

Every season feels like its own creative journey, but this one is especially close to my heart — it marks five years at Lincoln Center. In that time, I've had the joy of working alongside extraordinary artists, audiences, and colleagues who never stop pushing us to dream bigger about what the performing arts can be. Our programming team is the heart of it. They champion artists early, stay with them as they grow their careers, and make room for new voices to lead. Together, we've opened up new doors for artistic experimentation, introduced new generations of creators, and welcomed hundreds of thousands of first-time visitors. I can't wait to see how this season stretches us again — come closer and experience it for yourself.

Thanks to Our Supporters

2026-27 Series & Festivals

Encounter the arts through a curated series or festival, each thoughtfully crafted around a theme, artform, historical moment in time, or audience. Whether you return to a favorite legacy program or discover something entirely new, we hope you leave feeling inspired by the arts—with a fresh perspective and connection to the world around you.

Curated for you — series and festivals

Lincoln Center Contemporary Dance Festival

This January, the Lincoln Center Contemporary Dance Festival returns to celebrate New York City-based choreographers presenting boundary-pushing works, including two New York premieres and two commissions by the Pasculano Collaborative for Contemporary Dance.

Under the Radar at Lincoln Center

This January, Under the Radar returns with a signature selection of more than 25 new theatrical productions with performances across the city, including at Lincoln Center.

Featured Performances

Feel the power of live performance when you experience global contemporary artistry on our biggest stages, all for FREE or Choose-What-You-Pay!

Kids, Teens, and Families

A joyful and inclusive series of music, dance, storytelling, and hands-on creativity for young audiences and their families, with sensory-friendly and relaxed events throughout the season.

Lincoln Center Visionary Artist: Wynton Marsalis

Lincoln Center honors one extraordinary artist whose impact and vision embody the transformative power of the arts across disciplines.

American Songbook

The 2027 American Songbook season will once again be curated by Lincoln Center Artist-in-Residence Clint Ramos, a world-renowned, Tony Award-winning designer, creative director, and producer. More to be announced soon!

¡VAYA!

From salsa and charanga to Latin jazz, bachata, boogaloo, and more, ¡VAYA! is meant to make you move. Whether you're bopping your head or spinning around on the city's most exciting dance floor… ¡pa'lante!

At the Atrium

All year long, the David Rubenstein Atrium is your home for FREE and groundbreaking music, theater, family shows, dance, comedy, and interactive experiences—highlighting the voices of local and international artists.

Big Umbrella Festival

From April 2–24, 2027, the celebrated festival returns for a multi-week series of performances, workshops, relaxed spaces, and interactive artistic experiences specifically welcoming neurodivergent audiences and their families.

Lincoln Center Immersive

Encompassing excitingly fresh augmented reality experiences, the Lincoln Center Immersive series invites participants to expand their perception of reality and space, offering creative work that serves as an entry point into a hidden realm.

The Art of Wellbeing

Art engages the mind, body, and spirit with guided meditations and movement-based lessons accompanied by live music. Designed and presented in collaboration with NewYork-Presbyterian.

Lincoln Center Moments

A free, welcoming performance series created for individuals with dementia and their caregivers, offering intimate artistic experiences in a supportive setting.

Passport to the Arts

A free and inclusive introduction to the performing arts, this series welcomes children, teens, and adults with disabilities and their families to experience concerts, workshops, and events across Lincoln Center.

Livestreams

Watch select Lincoln Center performances from anywhere with free livestreams all season long—complete with closed captions and on-demand access.

Young Artist Pipeline

A free training program for sixth and seventh graders, Young Artist Pipeline nurtures emerging talent through foundational arts education, creative exploration, and pathways to NYC’s screened arts high schools.

Festival Orchestra of Lincoln Center

The Festival Orchestra of Lincoln Center comes together each summer during Lincoln Center's Summer for the City to celebrate and share iconic works of classical music in dialogue with new and rediscovered music.

Festival of Firsts

The fifth annual Festival of Firsts showcases performers boldly exploring new artistic territories. Experience this only-in-New York series of premiere performances, U.S. debuts, album debuts, and career milestone sets.

Legacies of San Juan Hill Festival

This year’s festival celebrates how community creates culture, exploring how the reciprocal influence of the diverse communities of San Juan Hill fostered extraordinary artistic innovation.

Unsound New York

The boundary-defying Unsound Festival returns to Lincoln Center with genre-blurring performances that reimagine sound through bold experimentation and global artistry.

Ticketing Overview

To make the arts more accessible, all tickets for Lincoln Center Presents events are Free or Choose-What-You-Pay. Play your part by selecting the ticket value that’s right for you, knowing your contribution helps expand access for all. Please refer to the dedicated event page of the show you’d like to attend to confirm ticketing options.

Choose-What-You-Pay Events

2026 Fall Season Member Pre-sale begins September 2 at noon
General On-sale begins September 9 at noon
Become a member today to get access to exclusive Member Pre-sales.

All tickets to select shows are available on a Choose-What-You-Pay basis. Select the ticket value that's right for you, knowing your contribution helps expand access for all.

Free General Admission Events

Many performances and events, including all programming at the David Rubenstein Atrium, are available for FREE via General Admission—first-come, first-served. Advance reservations are not required for these events; just show up! While we'll do our best to accommodate as many guests as possible, we cannot guarantee admission. Look for the “FREE” label on calendar listings and show pages, or select the “Free” calendar filter to search for a wide range of free programming.

Free Fast Track Option

All Lincoln Center Presents events at the David Rubenstein Atrium offer a Fast Track reservation option, giving priority entry into events. Reservations for Fast Track will open every Monday at noon for that week's events and can be reserved on this page. Please check the event's dedicated web page to confirm if Fast Track is available for the performance you'd like to attend.

3 Ways to Buy Tickets

There are three ways to purchase Choose-What-You-Pay and full-price tickets.

1. Book online from the event's dedicated web page.
2. Call CenterCharge at 212-721-6500 from Monday–Friday 10:00 am–6:00 pm (EST).
3. Book in-person at the Alice Tully Hall box office (Broadway and 66th Street) or the David Geffen Hall box office from Monday–Saturday 10:00 am–6:00 pm and Sunday noon–6:00 pm.

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The two-day s3: Lincoln Center Poetry Festival, curated by poet-in-residence Mahogany L. Browne, returns for a second year. Passionate soliloquies to rhythmic verses bring together a diverse array of talented performers who captivate audiences with their lyrical prowess and engaging stage presence. The festival takes place in a one-of-a-kind intimate performance space surrounded by the buzz of New York City. Prepare to be enchanted by the interplay of words, sounds, and visuals, as artists push the boundaries of what is possible in the realm of performance poetry. Whether you are an ardent lover of poetry or a curious newcomer to the world of spoken word, the s3: Lincoln Center Poetry Festival promises an immersive experience featuring captivating performances that will leave you spellbound.

And just beyond the mic? We’re turning up the atmosphere with a curated lineup of local vendors, bringing guests typewritten poetry, books with bookmarks, and more! On May 23, find them in the David Geffen Hall lobby from 5:00–9:00 pm; on May 24, they’ll be just outside the Griffin Sidewalk Studio from 3:00–7:20 pm. Plus, adding a melodic thread to the experience, Max Michael Jacob performs live on May 23 in the lobby.

Featured Artists: Friday, May 23

Featured Artists: Saturday, May 24

Artist Biographies

Featured Artists: Friday, May 23

Lena Khalaf Tuffaha (Poet) is a poet, essayist, and translator. She is the author of Water & Salt, which won the 2018 Washington State Book Award; Kaan & Her Sisters, a finalist for the Firecracker Award; and Something About Living, Winner of the 2024 National Book Award for Poetry and the 2022 Akron Prize for Poetry. Her writing has been published in journals including the Los Angeles Review of Books, The Nation, Poets.org, Protean Magazine, and Prairie Schooner, and in anthologies including The Long Devotion and We Call to the Eye & the Night. She was the translator and curator of the 2022 series Poems from Palestine at The Baffler. She is currently curating a series on Palestinian writers for Words Without Borders entitled Against Silence.

Andrés Cerpa (Poet) is the author of three books of poetry: Bicycle in a Ransacked City: An Elegy; The Vault, which was celebrated as one of the best poetry books of 2021 by the New York Times; and The Palace, which is forthcoming. A recipient of a MacDowell Fellowship, his writing has appeared in Ploughshares, Poem-a-Day, The Kenyon Review, The Nation, and elsewhere. He is an educator and faculty member of Randolph College’s MFA program.

Brandon López (Musician) and Fred Moten (Poet) have been playing music together—with percussionist Gerald Cleaver, whenever possible—since 2018. In 2022 and 2024, they and Cleaver released albums on Reading Group Records. López is a Puerto Rican/American bassist, composer, and improviser working at the fringes of contemporary music. He has worked with many luminaries including John Zorn and Tony Malaby and has been the recipient of numerous awards by organizations like the Doris Duke Charitable Foundation and The Jerome Foundation. Moten has written and spoken extensively on black social aesthetics. He is also involved in long-term collaborations with Laura Harris, Stefano Harney, and Wu Tsang.

Maya Marshall (Poet) is a poet, essayist, editor, and professor. She is the author of the poetry collection All the Blood Involved in Love (2022) and the chapbook Secondhand (Dancing Girl Press, 2016). Marshall co-founded underbelly, the journal on the practical magic of poetic revision. She is the recipient of grants and fellowships from MacDowell, Cave Canem, Sewanee's Writers' Conference, Bread Loaf Environmental Writers' Conference, Vermont Studio Center, and Emory University, among others. She earned her BA from Loyola University Chicago and her MFA from the University of South Carolina. Her poems and essays have been published in or are forthcoming in numerous collections and publications including Prose for the People (Penguin Random House, 2025), American Poetry Review, the Rumpus, Prairie Schooner, Boston Review, Poets.Org, Split This Rock, and Best New Poets. Marshall serves as poetry director and as an editor at Haymarket Books. She is a literary consultant for the Writing Freedom Fellowship, a fellowship for system-impacted writers.

Marilyn Nelson (Poet) is a three-time finalist for the National Book Award, is one of America’s most celebrated poets. She is the author or translator of some twenty poetry books for adults and children, five chapbooks, and a verse memoir, named one of NPR’s Best Books of 2014, entitled How I Discovered Poetry—a series of 50 unrhymed sonnets about growing up in the 1950’s in an African American military family, each poem stamped with the place and date of one of the many places her family lived. Image Journal writes, “American history as conceived by Marilyn Nelson is the inside-out, last-shall-be-first version. She inhabits the voices of the overlooked and disenfranchised and shines light into forgotten corners that reveal essential truths about the whole….But if she is a revisionist historian’s poet, she is also a child’s poet, a mother’s poet, a housekeeper’s poet, and scientist’s poet….It’s this breadth of perspective, from pole to pole, past to present, from spheres domestic to atmospheric, that make her so remarkable. Nelson is also an openhanded citizen of the nation of writers.”

Brad Walrond (Poet) is a poet, author, performance artist, and one of the foremost writers and performers of the 1990s Black Arts Movement centered in New York City. Walrond’s debut collection, Every Where Alien, (2024) Moore Black Press | Amistad / HarperCollins, chronicles the author’s own Black queer exploration of the world, amidst the discovery of 1990s-early 2000s New York City underground art and resistance movements. June 2024 Brad released his debut spoken word album Alien Day. Brad’s poems have been published in: The Atlantic, Poem-A-Day | Academy of American Poets, African Voices Magazine, and elsewhere. Walrond holds a B.A. from The City College of New York and an M.A. from Columbia University.

Ajanaé Dawkins (Poet) is a poet, conceptual artist and theologian. She works through poetry, visual art, performance, and audio to explore the politics of faith, grief, and intimate relationships between Black women. As a theologian, she blends cultural criticism, memoir, and theology as autotheory to consider the relationship between Black church history, spirituality, and creation. Her work has appeared in the Academy of American Poets’ Poem-a-Day, The Rumpus, Prairie Schooner, the Indiana Review, Frontier Poetry, The BreakBeat Poets Black Girl Magic Anthology and more. Her solo-exhibition, No One Teaches Us How To Be Daughters, debuted at Urban Arts Space in 2024. Her chapbook, BLOOD-FLEX, won the New Delta Review’s Chapbook prize and is forthcoming in Spring 2025. Ajanaé has performed for the United Nations Secretary of Sexual Violence in Conflict. She contributed to the Solomon R. Guggenheim’s Poetry is Not a Luxury project, led by Ama Codjoe. Her work has been featured on PBS, For Harriet, and Def Jam. She is the winner of the Tinderbox Poetry Journal’s Editors Prize. She was the Taft Museum’s 2022 Duncanson Artist in Residence and is a fellow of Torch Literary, The Watering Hole, and Pink Door.

Taylor Mali (Poet) is a four-time National Poetry Slam champion and one of the original poets on HBO’s Def Poetry Jam. The author of six books of poetry including Late Father & Other Poems, he is also the inventor of Metaphor Dice, a game that helps writers think more figuratively. He lives in Brooklyn.

Lynne Thompson (Poet) served as Los Angeles’ 4th Poet Laureate and received a Poet Laureate Fellowship from the Academy of American Poets. She is the author of four collections of poetry: Beg No Pardon, winner of the Perugia Press Prize and the Great Lakes Colleges New Writers Award; Start With A Small Guitar (What Books Press); Fretwork, winner of the 2019 Marsh Hawk Poetry Prize selected by Jane Hirshfield; and, Blue on a Blue Palette, published by BOA Editions in April 2024. A lawyer by training, Thompson serves on the Boards of The Poetry Foundation, Los Angeles Review of Books, her alma mater, Scripps College, and she is the President of the Cave Canem Foundation. Recent work appears or is forthcoming in Poetry International, Kenyon Review, Gulf Coast, and the Georgia Review.

Maui the Writer (Poet) is a 5x author, poet, and host of the popular podcast Self Care and Chill. As a mother and creator, Mauiis dedicated to inspiring others through her work on relationships, self-love, and healing. With sold-out US tours and a growing library of empowering books, she continues to make a lasting impact.

Major Jackson (Poet) is the author of six collections of poetry: Razzle Dazzle: New & Selected Poems (2023); The Absurd Man (2020); Roll Deep (2015); Holding Company (2010); Hoops (2006), all published by W.W. Norton; and Leaving Saturn (2002) by University of Georgia Press. Razzle Dazzle was awarded Yale Library’s Patricia Cannon Willis Prize for American Poetry. Holding Company and Hoops were both selected as finalists for an NAACP Image Award in the category of Outstanding Literary Work in Poetry; and Leaving Saturn, awarded the Cave Canem Poetry Prize for a first book of poems, was a finalist for the National Book Critics Circle Award in Poetry. In The Absurd Man, inspired by Albert Camus’s seminal Myth of Sisyphus, Jackson’s fifth volume subtly configures the poet as “absurd hero” and plunges headfirst into a search for stable ground in an unstable world. In Roll Deep, he appropriated the vernacular notion of “rolling deep” to explore human intimacy and war, seeking a rhythmic sound that expresses the realities of the twenty-first century.

Mel Chanté (Poet) is a Brooklyn-based poet, artist, founder and host of the Vow to Self Podcast and author of Brown Butter. Mel seeks to inspire self love and healing through her work. Touring major cities throughout the U.S. and Europe, including Copenhagen, Berlin, and London, she was an opening act for Rupi Kaur’s World Tour, voiced meditations for one of Apple’s Top 20 podcasts and has written music for international artists. Mel is the co-host and co-curator of Not Your Average Open Mic, a monthly showcase in Brooklyn that celebrates the community and culture of poetry. Mel Chanté’s poetry and music has garnered over 4 million streams with worldwide monthly listeners, and is available for listening on all major music streaming platforms.

Sarah Kay (Poet) is a writer, performer, and educator from New York City. She is the author of five books of poetry including B, No Matter the Wreckage, The Type, All Our Wild Wonder, and her newest collection A Little Daylight Left. Kay is the founder and co-director of Project VOICE, an organization that uses poetry to entertain, educate, and empower students and educators in classrooms and communities worldwide. kaysarahsera.com

Jive Poetic (Poet and DJ) is a poet, DJ, and educator based in Brooklyn, New York. He received his BA in Media Studies from the State University of New York at Buffalo and his MFA in Writing and Activism from Pratt Institute. In 2017, Jive was the first John Morning Award for Art and Service recipient. He founded Brooklyn House Party (BKHP), Insurgent Poets Society, Carnival Slam: Cultural Exchange, and co-founded the Brooklyn Poetry Slam. His poetry aired on TVONE’s Lexus Verses and Flow and PBS NewsHour. His poems were published by the Academy of American Poets, No, Dear Magazine, and Toss The Earth. As a DJ, he has played opening concert sets for Busta Rhymes, Beenie Man, Gang Starr, and Redman. International recognition for his work has come from the British Arts Council, the Minister of Culture for Antigua and Barbuda, and US Embassies in Australia, Brazil, and Poland. Jive has held writing residencies at Air Serenbe, Fort Belvoir Army Base, Rhode Island Writer’s Colony, Marble House Project, and Walter Reed National Military Medical Center. When Jive is not touring or hosting, He teaches performance poetry and hip-hop workshops to underserved youth in New York City.

Max Michael Jacob (Musician) is the co-founder, executive director, and bassist of the conductorless string ensemble “Shattered Glass.” Max earned his Bachelor of Music degree from Manhattan School of Music where he studied with Metropolitan Opera bassist Jeremy McCoy. He has gone on to tour Great Britain, Germany, Russia, Australia, Canada, and most states in the US with various ensembles. Doubling on electric bass, Jacob has performed with Talib Kweli, Pumpkinhead, Levi Robin, Streetlight Manifesto, and many others as bassist and/or music director. As an active composer/arranger/producer he has worked with Mahogany L. Browne, Cyrus Aaron, members of Imani Winds, Wrabel, Willow Avalon, and many others.

Kheeezus (DJ) Hailing from the vibrant borough of Brooklyn, KHEEEZUS has spent the last 8 years making waves behind the decks throughout the bustling streets of New York City. Her journey into the world of DJing was fueled by a deep-rooted love for music, nurtured by the diverse tapestry of cultures and sounds surrounding her growing up in NYC. During her time as a student at Howard University, KHEEEZUS gained a knack for seamlessly blending sounds into captivating narratives, and has mastered the art of creating unforgettable musical experiences that transport listeners on a journey through rhythm and soul.

Featured Artists: Saturday, May 24

Kai Diata Giovanni (Poet) is an 18 year old Brooklyn-based poet and performer who holds the title of 2024-2025 NYC Youth Poet Laureate. They published their first book of poetry, "The Words That Need To Be Heard", at 13 years old. Kai was a 2024 Urban Word Slam Team member and the first runner-up in the 2023 New York State Youth Poet Laureate competition. They have organized and performed as an artivist (artist-activist) with A New Black Arts Movement, Art and Resistance Through Education (ARTE), Girl Be Heard, and Bridges: A Pan-Afrikan Arts Movement. Kai has also been a featured performer at the Brooklyn Children's Museum, the Blue Note Jazz Club, and various other venues in NYC over the past 10 years.

Danté Stewart (Poet) is the author of debut memoir Shoutin’ in the Fire: An American Epistle, a stirring meditation on being Black and learning to love in a loveless, anti-Black world. The book won Stewart the Georgia Author of the Year award from the Georgia Writer’s Association in 2022, by The Center for American Progress as one of “22 Faith Leaders to Watch in 2022,” and by Religion News Service as one of “Ten Up-And-Coming Faith Influencers. Throughout the memoir, Stewart uses his personal experiences as a vehicle to reclaim and reimagine spiritual virtues like rage, resilience, and remembrance—and explores how these virtues might function as a work of love against an unjust, unloving world. This sharply observed journey is an intimate meditation on coming of age in a time of terror. Stewart reveals the profound faith he discovered even after experiencing the violence of the American church: a faith that loves Blackness; speaks truth to pain and trauma; and pursues a truer, realer kind of love than the kind we’re taught, a love that sets us free.

Evie Shockley (Poet & Scholar) is the author of suddenly we (NAACP Image Award; National Book Award Finalist), semiautomatic (Hurston/Wright Legacy Award; Pulitzer Prize finalist), and the new black (Hurston/Wright Legacy Award). Among the honors she has received for her body of work are the Academy of American Poets Fellowship, the Shelley Memorial Award, the Lannan Literary Award for Poetry, the Holmes National Poetry Prize, and the Stephen Henderson Award. Her joys include participating in poetry communities such as Cave Canem and collaborating with artists working in various media. Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University.

Brittany Rogers (Poet) is poet, visual artist, educator, and life-long Detroiter. She has work published or forthcoming in Lit Hub, The Hopkins Review, Scalawag, The Poet Lore, Indiana Review, Four Way Review, Underbelly, Mississippi Review, Lambda Literary, and Oprah Daily. Brittany is a fellow of VONA, The Watering Hole, Poetry Incubator, and Pink Door Writing Retreat. Brittany is Editor-in-Chief of Muzzle Magazine and co-host of VS Podcast. She is the author of the poetry collection Good Dress, a Michigan Notable Book for 2025, and finalist for the NAACP Image Award. (Tin House, 2024).

Vincent Toro (Poet) is a Puerto Rican poet, playwright, and professor. He is the author of three poetry collections: Hivestruck (Penguin Random House, 2024), Tertulia (Penguin Random House, 2020), and Stereo.Island.Mosaic. (Ahsahta, 2016), which won the Poetry Society of America’s Norma Farber First Book Award. Vincent is a recipient of the Caribbean Writer’s Cecile De Jongh Poetry Prize, the Spanish Repertory Theater’s Nuestras Voces Playwriting Award, a Poet’s House Emerging Poets Fellowship, a New York Council for the Arts Fellowship in Poetry, and a New Jersey State Council for the Arts Writer’s Fellowship. Vincent is also a recipient of the Letras Boricua fellowship, a partnership with the Flamboyan Foundation funded in part by the Carnegie Mellon Foundation. His poetry and prose have been published in dozens of magazines and journals and have been anthologized in Saul Williams’ CHORUS, Puerto Rico En Mi Corazon, Best American Experimental Writing 2015, The Breakbeat Poets Vol. 4: LatiNEXT, and Latino Poetry: the Library of America Anthology. He is an Assistant Professor of English at Rider University, and serves as a poetry editor for Kweli Literary Journal.

6ft High and Rising (Two Poets) is the powerful spoken word duo of Boris "Bluz" Rogers and Dasan Ahanu, two poetic forces whose words elevate hearts, minds, and spirits. Bluz, a Grammy-winning poet and performer, is celebrated for his commanding stage presence and ability to weave emotion into every verse. Dasan Ahanu, a seasoned and decorated poet, educator, and cultural organizer, is known for his thought-provoking narratives and commitment to the community. Together, as 6ft High and Rising, they craft performances that blend their strengths into a compelling display of insight and lyricism. Their work explores resilience, social justice, love, and identity, captivating audiences with authentic storytelling and persuasive delivery. From poetry slams to cultural festivals, 6ft High and Rising stands as a testament to the transformative power of spoken word.

Jasmine Mans (Poet) is a queer Black poet and performance artist from Newark, New Jersey. Jasmine’s debut poetry collection, Black Girl, Call Home (Berkley Penguin Random House) published in 2021 to critical and commercial acclaim, and was named one of the most anticipated books of the season by Oprah, TIME, Vogue, Vulture, Essence, Elle, Cosmopolitan, Marie Claire, Refinery 29, Shondaland, Bustle, and Reader’s Digest. The collection went on to receive the prestigious Stonewall Honor Award, as well as a BCALA Award in the Poetry category.

Tiana Clark (Poet) is the author of the poetry collections Scorched Earth (Washington Square Press/Simon & Schuster, 2025) and I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018), winner of the 2017 Agnes Lynch Starrett Prize. She is also the author of Equilibrium (Bull City Press, 2016), selected by Afaa Michael Weaver for the 2016 Frost Place Chapbook Competition. A winner of the 2020 Kate Tufts Discovery Award, she has also received a 2019 NEA Literature Fellowship, a 2019 Pushcart Prize, and the 2021–2022 Amy Lowell Poetry Traveling Scholarship. Her writing has appeared in The New Yorker, The New York Times, Poetry Magazine, The Atlantic, The Washington Post, Virginia Quarterly Review, Kenyon Review, American Poetry Review, Oxford American, The Best American Poetry 2022, and elsewhere. She is currently the Grace Hazard Conkling Writer-in-Residence at Smith College.

Ursula Rucker (Poet, Recording Artist, Activist) is a poet, recording artist, songwriter, activist and revolutionary Ma’at Mama, Ursula Rucker is a certified veteran of the global music and poetry scene. A skilled writer and dynamic performer, Rucker’s rich and textured voice is one of the world’s great, living instruments. Born and raised in Philadelphia, Rucker began to share her poetic gifts in her 20s, performing at open mics in the city before two standout recorded performances announced to the world that Rucker was an emerging force to be reckoned with. In 1994, Rucker broke out performing a memorable lead vocal for “Supernatural”, the classic House tune by DJ King Britt side-project, Firefly. The song remains a dancefloor classic today. That same year, Rucker would record a jaw-dropping performance on The Roots “The Unlocking”, the closer from their ground-breaking full length Do You Want More?!!!??! Today, Rucker enjoys a standing as a respected poet, writer and vocalist.

Lauren Whitehead (Poet) is a writer, performer and dramaturg. She writes in several forms including poetry, adaptations and drama. Her poems have been published in POETRY magazine and Apogee Journal as well as in selected anthologies such as Break Beat Poets, Vol. 2: Black Girl Magic and What Things Cost, the first anthology of labor writing in nearly a century. Whitehead adapted the text of Ta-Nehisi Coates’ award winning memoir, Between the World and Me for staging at the Apollo Theater, the Kennedy Center for Performing Arts and for the TV adaptation on HBO. In 2022, Whitehead was a finalist for The Susan Smith Blackburn Prize. In her most recent performance, she originated the lead role of “Un/Sung” in “We Shall Not Be Moved,” which she performed at the Wilma Theater and the Stadsschouwburg Theater in Amsterdam. Currently, she is a Professor of Drama at NYU Tisch School of the Arts.

Special Thanks

THIS EVENT HAS PASSED

Select a Date

Friday, May 23, 2025 at 6:00 pm

Run time: Approximately 4 hours

Saturday, May 24, 2025 at 4:00 pm

Run time: Approximately 4 hours

To make the arts more accessible, tickets are available on a Choose-What-You-Pay basis. There is a suggested ticket price of $10.00, as well as options to pay more or less.

A standby line will form day-of at the box office, prior to showtime. Tickets may become available to the standby line on a first-come, first-served basis.

Thanks to Our Supporters

Venue

Kenneth C. Griffin Sidewalk Studio, David Geffen Hall

10 Lincoln Center Plaza, New York, NY 10023

For ticketing, call CenterCharge at 212-721-6500 from Monday–Friday 10:00 am–6:00 pm (EST)

For general inquiries, call Guest Experience at 212-875-5456 or email [email protected].

The Kenneth C. Griffin Sidewalk Studio is an innovative venue for small-scale performances, rehearsals, and community gatherings. Prominently located inside David Geffen Hall on the corner of Columbus Avenue and 65th Street, the venue was designed to be visible to outside passersby—providing an open door into the creative process and artistry at Lincoln Center.. Learn more »

Accessible to wheelchair users; Accessible restrooms and accessible routes

Hearing loop installed. Loop receivers available

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2026-27 Season

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What's on today, November 12th

7:30 pm

UPCOMING SHOWS

Friday, November 13 at 7:30 pm

Saturday, November 14 at 1:00 pm

The Art of Wellbeing | Take a Breath

Lincoln Center Presents and New York Philharmonic In collaboration with NewYork-Presbyterian

Saturday, November 14 at 7:30 pm

Sunday, November 15 at 1:00 pm

Monday, November 16 at 8:30 pm

Wednesday, November 18 at 11:00 am

Wednesday, November 18 at 1:00 pm

Friday, November 20 at 11:00 am

from Filament Theatre and Threshold

Friday, November 20 at 2:00 pm

from Filament Theatre and Threshold

Friday, November 20 at 7:30 pm

Saturday, November 21 at 11:00 am

from Filament Theatre and Threshold

Saturday, November 21 at 2:00 pm

from Filament Theatre and Threshold

Saturday, November 21 at 7:30 pm

Sunday, November 22 at 11:00 am

from Filament Theatre and Threshold

Sunday, November 22 at 2:00 pm

from Filament Theatre and Threshold

Thursday, December 3 at 1:00 pm

Virtual on Zoom

Thursday, December 3 at 7:30 pm

Friday, December 4 at 7:30 pm

A new musical for dreamers who left home by Jaime Lozano and Florencia Cuenca

Saturday, December 5 at 11:00 am

Saturday, December 5 at 2:00 pm

The Art of Wellbeing | Take a Breath

Lincoln Center Presents and New York Philharmonic In collaboration with NewYork-Presbyterian

Saturday, December 5 at 7:30 pm

Monday, December 7 at 7:00 pm

Lincoln Center Presents In collaboration with Lincoln Center Theater and Jazz at Lincoln Center

Lincoln Center Theater Lobby

Wednesday, December 9 at 7:30 pm

Thursday, December 10 at 7:30 pm

Friday, December 11 at 11:00 am

Friday, December 11 at 2:00 pm

Friday, December 11 at 7:30 pm

Saturday, December 12 at 11:00 am

Lincoln Center Presents and New York Philharmonic
In collaboration with NewYork-Presbyterian

Lincoln Center Presents and New York Philharmonic
In collaboration with NewYork-Presbyterian

Lincoln Center Presents
In collaboration with Lincoln Center Theater and Jazz at Lincoln Center