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2025-26 Series & Festivals

Encounter the arts through a curated series or festival, each thoughtfully crafted around a theme, artform, historical moment in time, or audience. Whether you return to a favorite legacy program or discover something entirely new, we hope you leave feeling inspired by the arts—with a fresh perspective and connection to the world around you.

Find your series

Summer for the City

From June 10–August 8, celebrate the Summer of Dance with hundreds of FREE and Choose-What-You-Pay events, centered on movement, contemporary artistry, and international voices.

American Songbook

Curated by Clint Ramos, American Songbook: Echoes of an Inheritance brings musical theater performances, powerhouse concerts, and genre-crossing experiences from March 18–May 23.

Festival Orchestra of Lincoln Center

The Festival Orchestra of Lincoln Center comes together each summer during Lincoln Center's Summer for the City to celebrate and share iconic works of classical music in dialogue with new and rediscovered music.

AMOC* Up Close

Get up close to today’s most boundary-pushing artists in a one-of-a-kind showcase on our most intimate stage: featuring innovative new works from leading creators in music, dance, and opera.

Beats, Rhymes & Sights

A bold celebration of Hip-Hop’s next fifty years, this series brings together iconic concerts, film, dance, and interactive events curated by Xavier “X” Jernigan.

Big Umbrella Festival

From April 10–26, join us for a series of performances, workshops, relaxed spaces, and interactive experiences welcoming neurodivergent audiences and their families.

Create-athons

A series of free, hands-on workshops where participants team up with pro artists to dive into music, design, tech, and more—no experience needed, just bring your creativity.

Festival of Firsts

Feed your curiosity with premiere performances, Lincoln Center debuts, and fresh collaborations, so that you can say, “I saw them first!”

FUTUROS: New Ideas in Composition

Don't miss New Latin Wave’s annual concert series at the David Rubenstein Atrium, celebrating visionary Latine artists shaping contemporary music.

Kids, Teens, and Families

A joyful and inclusive series of music, dance, storytelling, and hands-on creativity for young audiences and their families, with sensory-friendly and bilingual events throughout the season.

Legacies of San Juan Hill Festival

From October 14–29, celebrate the artistic legacy of San Juan Hill with events that shine a light on the artists who created here and the community that inspired them.

Lincoln Center Immersive

Step into a vivid blend of art and technology with augmented reality installations that transform Lincoln Center’s campus into a living, digital canvas.

Lincoln Center Moments

A free, welcoming performance series created for individuals with dementia and their caregivers, offering intimate artistic experiences in a supportive setting.

Lincoln Center Visionary Artist: Jeanine Tesori

Lincoln Center honors one extraordinary artist whose impact and vision embody the transformative power of the arts across disciplines.

Livestreams

Watch select Lincoln Center performances from anywhere with free livestreams all season long—complete with closed captions and on-demand access.

Passport to the Arts

A free and inclusive introduction to the performing arts, this series welcomes children, teens, and adults with disabilities and their families to experience concerts, workshops, and events across Lincoln Center.

Seen, Sound, Scribe

Curated by Poet-in-Residence Mahogany L. Browne, this powerful series uplifts poetry, performance, and dialogue with today’s leading and emerging literary voices.

Songwriter/Storyteller

A six-night tribute to the timeless art of storytelling through song, featuring genre-defying artists who blend narrative and music with heart and originality.

The Art of Wellbeing

Refresh your mind, body, and spirit with free guided meditations, movement classes, and live music in this uplifting wellness series created with NewYork-Presbyterian Hospital.

The InBETWEEN Music & Tech

An electrifying fusion of art, tech, and imagination, this series from Nona Hendryx invites audiences to explore AI, XR, and cyborg futures through immersive experiences and visionary dialogue.

The Tune Up!

Pulitzer Prize winner Suzan-Lori Parks and her nine-piece band SLP & The Joyful Noise ignite a high-voltage night of new songs, short plays, surprise guests, and dance-in-the-aisles joy.

Under the Radar at Lincoln Center

Part of NYC’s trailblazing Under the Radar, this series brings two bold new productions to Lincoln Center, spotlighting boundary-breaking voices from around the globe.

Unsound New York

The boundary-defying Unsound Festival returns to Lincoln Center with genre-blurring performances that reimagine sound through bold experimentation and global artistry.

Variations on America: A Discussion Series

In partnership with the New York Philharmonic, this free discussion series explores the American experience through music, history, and culture—moderated by ethnomusicologist Fredara Hadley.

¡VAYA!

A vibrant celebration of Latin music and dance, ¡VAYA! brings NYC’s top orchestras and rhythms to the stage—for dancers, listeners, and everyone in between.

Young Artist Pipeline

A free training program for sixth and seventh graders, Young Artist Pipeline nurtures emerging talent through foundational arts education, creative exploration, and pathways to NYC’s screened arts high schools.

Ticketing Overview

Our goal is to continue exploring new ticketing practices together as a community to make our performances more accessible to more people and to center equity and inclusion in every aspect of our field. All tickets for  Lincoln Center Presents programs are FREE or Choose-What-You-Pay. Please refer to the dedicated event page of the show you’d like to attend to confirm ticketing options.

Choose-What-You-Pay Events

Select Choose-What-You-Pay tickets are on sale now!
Become a member today to get access to exclusive Member Pre-sales.

With Choose-What-You-Pay ticketing, you decide what's right for you. We offer a suggested ticket price, as well as options to pay more or less. The minimum ticket price is $5.00.

Free General Admission Events

Many performances and events, including all programming at the David Rubenstein Atrium, are available for FREE via General Admission—first-come, first-served. Advance reservations are not required for these events; just show up! While we'll do our best to accommodate as many guests as possible, we cannot guarantee admission. Look for the “FREE” label on calendar listings and show pages, or select the “Free” calendar filter to search for a wide range of free programming.

Free Fast Track Option

All Lincoln Center Presents events at the David Rubenstein Atrium offer a Fast Track reservation option, giving priority entry into events. Reservations for Fast Track will open every Monday at noon for that week's events and can be reserved on this page. Please check the event's dedicated web page to confirm if Fast Track is available for the performance you'd like to attend.

3 Ways to Buy Tickets

There are three ways to purchase Choose-What-You-Pay and full-price tickets.

1. Book online from the event's dedicated web page.
2. Call CenterCharge at 212-721-6500 from Monday–Friday 10:00 am–6:00 pm (EST).
3. Book in-person at the Alice Tully Hall box office (Broadway and 66th Street) or the David Geffen Hall box office from Monday–Saturday 10:00 am–6:00 pm and Sunday noon–6:00 pm.

THIS EVENT HAS PASSED

The final work in this program, Exquisite Corpse, includes strobe lighting effects at approximately 9 minutes and 30 seconds into the piece, lasting about 1 minute. For more information, please contact [email protected] or 212-875-5456.

Led by Artistic Director Nadia Adame and Executive Director Danae Rees, AXIS Dance Company is one of the nation’s most acclaimed ensembles of disabled, non-disabled, D/deaf, and neurodiverse performers. AXIS was founded in 1987 and is based in Berkeley, California, where the company creates world-class productions that challenge perceptions and redefine dance and disability. Alongside its artistic programming, the company provides unparalleled integrated dance education and outreach programs that remove barriers and showcase the beauty of difference. With work by choreographers Nadia Adame, Sonya Delwaide, Christopher Unpezverde Nunez, Kayla Hamilton, and Natasha Adorlee, the performance will feature dancers JanpiStar, Julie Hasushi, Anna Gichan, Alaja Badalich, Hannah Westbrook, and Isaiah Newby.

This performance is a part of the Big Umbrella Festival, welcoming kids, teens, and adults for a series of multi-sensory, interactive, and engaging programming, designed with and for neurodiverse audiences.

Creative Team

Nadia Adame, AXIS Dance Company, Artistic Director and Choreographer, Welcome
Nadia Adame (she/her) is a Spanish multidisciplinary award-winning artist with a spinal cord injury. She studied Ballet and Flamenco at the Royal Dance Conservatory of Madrid and has a BA in Theatre from the University of Colorado. She was a company member with AXIS Dance Company (2000–2003) and Candoco Dance Company (2007–2008). In 2004, she co-founded and served as the Co-Artistic Director of Compañía Y, a multimedia and performance collective in Spain, with Mark Swetz,. Nadia’s credits include dance, theater, commercial, and independent film projects in the UK, Spain, US, and Canada. As a performer, she has been featured in works by Stephen Petronio, Bill T. Jones, Arthur Pita, Rafael Bonachela, Davis Robertson, Sonya Delwaide, Marc Brew, Chevi Muraday and Asun Noales, among others.

Natasha Adorlee, Choreographer, Exquisite Corps
Natasha Adorlee (she/her) is an Emmy Award-winning choreographer, filmmaker, composer, and creative leader based in San Francisco. Natasha began choreographing in 2016 while maintaining an award-winning performance career with ODC Dance, Kate Weare and Company, Robert Moses’ Kin, and the San Francisco Symphony. She attended SUNY Purchase and graduated from UC Berkeley. Natasha has been commissioned by Joffrey Ballet’s Winning Works, Kansas City Ballet, Nevada Ballet Theatre, Richmond Ballet, BalletX, Oklahoma City Ballet, Ceprodac in Mexico City, Kawaguchi Ballet in Japan, Ballare Carmel, Ballet22, Jacob’s Pillow, and Tulsa Ballet. Beyond the concert stage, she has created original work for Pixar Animation Studios, Oculus, National Geographic, The New Yorker, YouTube, and Cricket Wireless, bringing choreographic and movement-based thinking into cinematic, commercial, and technological environments. Her work has been recognized with an NEA Grant, a Dresher Fellowship, a Jacob’s Pillow Choreographic Fellowship, the 2024 Grand Prize at the Palm Desert Choreography Festival and Natasha received an Isadora Duncan Dance Award for Performance.

Branden Wallace, Costume Designer, Electric Fish
Branden Wallace holds a BFA, MFA and a BS in Biochemistry. Branden has utilized their neurodivergence disabilities as a guide to different perspectives. Their practice is creating congruous work from the discord and discomfort of new information. A haptic harmony of cognitive dissonance. Branden is the recipient of the Disability. Dance. Artistry. Dance and Social Justice Fellowship in 2020 and 2023.

Joel Brown, Rehearsal Director, AXIS Dance Company
Joel Brown (he/him) is a paraplegic dancer and choreographer based between London and Salt Lake City, UT. He danced with AXIS Dance Company in Oakland, CA from 2012–2014 and Candoco Dance Company in London from 2015–2023. He co-created an award winning duet, One Hundred and Eleven, with Estonian dancer, Eve Mutso in 2019, which has toured across the UK, Tbilisi, Georgia, and India to great critical acclaim. He is currently studying for his MA in Choreography at the Central School of Ballet. He was commissioned to choreograph two works for third year students at Laban Conservatoire in 2022 and 2023, for which he also composed original music.

David Calhoun, Costume Designer, Exquisite Corps; Sewing, Electric Fish
David Calhoun (any/all pronouns) is a freelance dancer, teacher and costumer based in the Bay Area. In 2023, David picked up sewing as a hobby which quickly turned into a passion. They subsequently created their brand vipère, which explores contemporary activewear. Commissions include work for AXIS Dance Company, POST:Ballet, EIGHT/MOVES, dawsondancesf, LINES BFA, Fermata Ballet Collective, BODYSONNET, Ja'Moon Jones and Deb Slater Dance Theater.

Alfonso "Poncho" Castro, Composer, Electric Fish
Alfonso Castro is a Costa Rican multidisciplinary artist, composer, dancer, and choreographer whose work bridges music, movement, and performance. With over a decade of professional experience, his projects and collaborations have been presented throughout the United States and Latin America. Castro approaches his creative practice through an anthropological and ethnographic lens, exploring the body as a vessel of memory, identity, and cultural narrative, with particular attention to indigeneity and mestizaje. Working across disciplines, he creates collaborative and socially engaged artistic experiences. Castro is also an educator, curator, and arts administrator committed to fostering diversity, inclusion, and accessibility in the arts.

Sonya Delwade, Choreographer, Welcome
Sonya Delwaide (she/her) is a choreographer, teacher and performer whose reputation has flourished within the United States and Canada for nearly four decades. A native of Quebec and a graduate of York University in Toronto, she currently resides in the Bay Area where the critics have favorably noticed her work. She has been profiled in San Francisco Magazine, received a Bay Area Goldie Award (from the San Francisco Bay Guardian), was named in the San Francisco Chronicle’s 2001 Top 10 list was one of Dance Magazine’s Top 25 people to watch in 2002 and received two Isadora Duncan Awards for best ensemble performance and best revival. Ms. Delwaide has created more than 80 pieces for companies such as ODC Dance, Ottawa Ballet, Diblo Ballet, L'Ecole Supérieure des Grands Ballets Canadiens, Hubbard Street 2 (after winning their 2000 National Choreographic Competition), AXIS Dance Company, Berkeley Ballet Theater, Compagnie de Danse L'Astragale (for whom she was the artistic director from 1992 to 1999) and Ballet Austin after being a winner in the New American Talent competition. To describe her work, the San Francisco Express wrote: "she seems to epitomize a postmodern fusion of the Balanchine/Cunningham aesthetic with the punk expressiveness of the '80s-geometric clarity and a ruminating, personal, sexually prickly style.”. Ms. Delwaide has received awards from the Canada Council, Quebec and Ontario Arts’ Councils, Zellerbach Family Fund, Gerbode and Irvine Foundations. She was the recipient of the Zarlo award for excellence in teaching from Mills College, where she was Head of the Dance & Theater Studies department for five consecutive years. She has taught at the school of the National Ballet of Canada, Lles Grands Ballets Canadiens, Alvin Ailey American Dance Theater, Mills and Hayward Colleges, CEGEP de Drummondville and has led master classes in Venezuela, China, Switzerland and Australia.

Kayla Hamilton, Choreographer, Right Here, Right Now
Kayla Hamilton (she/her) is a Texas-born, Bronx-based dancer, performance maker, educator, consultant and artistic director of Circle O—a cultural organization uplifting Black Disabled and other multiple marginalized creatives. Kayla was part of the Bessie award-winning ensemble Skeleton Architecture and has also danced with MBDance/Maria Bauman, Gesel Mason, and Sydnie L. Mosley/SLMDances. At its core, Kayla Hamilton’s choreography consistently challenges the way we come together. It’s conceptual in nature, striving to create a container for multiple body minds—from performers to audience members—to exist in space. Working from a disability aesthetic, Kayla invites performers to generate their own movement vocabulary rather than teaching them to move the way she would, opening up questions about hierarchy and to whom the the work belongs.

Walter Holden, Lighting Designer, Patterns
Walter Holden started working for AXIS Dance Company in 2000. After a few years working on other projects, he was thrilled to return in 2018. Walter graduated from CalArts with a MFA in Theatre (emphasis in lighting design) in 1994. His love of theater was born at Southeastern Oklahoma State University while earning his BA in theater. His passion for dance was discovered at CalArts. He has worked in all areas of lighting design including touring with Earth, Wind & Fire, Pantera, Kenny G, John Tesh and others, as well as designing theater at Hope Summer Repertory Theatre, and countless corporate events. These days he focuses on lighting dance and theater locally and has been fortunate enough to work with choreographers Christy Funsch, Randee Paufve, Nina Haft, Catherine Davalos, Dana Lawton, and Kate Mitchell. Walter also toured as Production Manager and Lighting Director for Capacitor and AXIS Dance Company. Walter runs his own company, Lumenography, and teaches Lighting for Dance at St. Mary’s College. Walter is blessed with the support of his wife, Alisa Rasera, and their amazing daughters, Iris and Viola.

Christopher "Unpezverde" Núñez, Choreographer, Electric Fish
As a visually impaired, Costa Rican-American choreographer of Miskito and Garifuna heritage, Christopher "Unpezverde" Núñez (he/him) creates evocative work on themes of disability, immigration, and indigeneity. His career includes a Bessie Award nomination and a spot on Art in America’s "New Talent" list. His work has been recognized and supported by numerous fellowships, grants and residencies, and presented by major institutions such as The Kitchen, Jacob's Pillow, Danspace Project, Movement Research at the Judson Church, the Leslie-Lohman Museum, Princeton University, and The Joyce Theater.

Josue Villeda, Costume Designer, Exquisite Corps
Josue Villeda is a self-taught choreographer and costume designer born and raised in Guatemala and currently based in San Francisco, California. With a strong passion for design and construction, his work bridges movement and visual storytelling, creating costumes that support and deepen the emotional and physical language of performance. His recent costume design collaborations include work with Savannah Dunn for the dance film Silence (2025) and with Tracey Chan for Hypnagogs in the ODC Pilot Program (2025). Alongside these collaborations, he continues developing independent projects that explore the relationship between choreography, material, and embodiment, expanding his creative practice at the intersection of dance and design.

Michael Wall, Composer, Welcome; Right Here, Right Now, Exquisite Corps
Sound for Movement began as a platform nearly twenty years ago when founder Michael Wall noticed dance teachers spending their evenings searching through piles of CDs to find the right track for their classes, something with the right meter, tempo, feel, and without awkward lyrics. The vision was clear: create a website offering a wide range of music in various meters, tempos, and styles, all made specifically for dance teachers and creators. When mp3s became popular and could be linked to PayPal, Sound for Movement evolved through many versions to become the platform it is today.

Dancers

A(laj)a Badalich, Company Dancer, AXIS Dance Company
Native to Eugene, Oregon, A(laj)a Badalich (they/she) is a black/queer neurodivergent dance artist, choreographer, and co-founder of Fermata Ballet Collective. She trained at the Alonzo King Lines Ballet Training Program, across the United States and internationally. Laj has served as a guest choreographer and faculty member for Shawl Anderson Dance Center, LINES training program, and various competitive dance studios, demonstrating their commitment to nurturing and paving the way for the next generation of dancers. Laj has worked closely with choreographers Alex Ketley, Alice Klock, Maurya Kerr, and Christian Burns. Since joining AXIS Dance Company in 2022, they have performed at Jacob's Pillow and in Latin America. Laj believes movement is a universal language and a form of ancestral storytelling, aiming to share and celebrate what it means to be the “other”.

Anna Gichan, Company Dancer, AXIS Dance Company
Anna Gichan (she/her) is a Deaf contemporary dancer from NJ with a background in gymnastics, yoga and circus. She received her BFA in Dance from Rutgers University Mason Gross School of the Arts.

Julie Hasushi, Company Dancer, AXIS Dance Company
Julie Hasushi (she/her) is a dancer, actress, presenter, and publicist from São Paulo, Brazil. As an artist, Julie has worked in several areas such as theater, music concerts, TV shows, corporate events, and advertising. In addition, she worked for the department of Culture in São Paulo curating a 24-hour festival featuring live concerts, films, plays and other cultural performances across one hundred venues. She was also active in the brazilian disability rights movement and performed accessibility evaluations of the Paulista Avenue, a São Paulo landmark. She started dancing at the age of nine, performing in major events including the 2016 Paralympic Torch Relay (Rio de Janeiro) and the 2017 Sibu International Dance Festival (Malaysia). Julie happily joined Axis Dance Company in 2023.

JanpiStar, Company Dancer, AXIS Dance Company
JanpiStar (they/them/Janpi) was born and raised in Puerto Rico. JanpiStar graduated with a Degree in Drama from the University of Puerto Rico had the opportunity of working with important actresses and choreographers on the island. JanpiStar worked with the theater group "Jóvenes del 98" (2016 -2018) in Puerto Rico until they moved to Oakland California to join AXIS Dance Company. JanpiStar worked with choreographers Petra Bravo in instalaciones Coreograficas, las casitas de Santurce at The Fine Arts Center of Puerto Rico, Arthur Pita in Alice in Californiland, Jennifer Archibald in Petrichord, and Asun Noales in Desiderata at the Jacob's Pillow in 2023. JanpiStar has also been commissioned to choreograph in the Bay area.

Isaiah Newby, Company Dancer, AXIS Dance Company
Isaiah Newby is a bi-coastal, formerly New York City-based, performing artist whose work spans ballet, contemporary dance, opera, acting, and modeling companies. They’ve performed with Stephen Petronio, The Met Opera, Lucinda Childs, and recording artists SERPENTWITHFEET and Allison Clancy. Trained at NYU Tisch and UNCSA, Isaiah has danced works by Susan Jaffe, Stephen Petronio, Aszure Barton, Ronald K. Brown, Dwight Rhoden and more. They’ve choreographed for DanceLab NYC and 14 Street Y Theater’s 2024 Dance Residency, along with other small companies. Isaiah believes dance is a medium for change—bringing beauty, meaning, and hope. Offstage, they enjoy cooking, yoga, reading, and exploring new restaurants with friends.

Hannah Westbrook, Company Dancer, AXIS Dance Company
Hannah Westbrook (she/her) is a queer, white, dance artist and educator, raised on the land of the Cahuilla people (Hemet, California). Her interests lie in the ever shifting web of dance, theater, improvisational practice, and site-specific dance. Hannah is a graduate of UC Berkeley, earning the Departmental Citation for excellence in dance. As a choreographer, her work for stage and film has been supported by FACT/SF, Art Farm, SAFEhouse Arts, and showcased in film festivals across the US and abroad. Dancing with AXIS Dance Company has been a lifelong dream since she was first exposed to the company while studying dance as a teen at Mt. San Jacinto College, and she is honored and thrilled to take on this role as company dancer. Hannah has previously had the pleasure of working with many incredible artists including Lizz Roman + Dancers, Ciarra D’Onofrio + Dancers, Epiphany Dance Theater, Tim Rubel Human Shakes, animi motus, Tara Pilbrow Dance, and an ensemble role in Anna Halprin’s Parades and Changes.

THIS EVENT HAS PASSED

Select a Date

Friday, April 17, 2026 at 7:30 pm

ASL, Audio Description, Closed Captioning

Saturday, April 18, 2026 at 2:00 pm

ASL, Audio Description

Saturday, April 18, 2026 at 7:30 pm

Audio Description

This performance is general admission seating. To make the arts more accessible, tickets are available on a Choose-What-You-Pay basis. There is a suggested ticket price of $5.00, as well as options to pay more or less.

Thanks to Our Supporters

Venue

Alice Tully Hall

1941 Broadway, New York, NY 10023

For ticketing, call CenterCharge at 212-721-6500 from Monday–Friday 10:00 am–6:00 pm (EST)

For general inquiries, call Guest Experience at 212-875-5456 or email [email protected].

Performances take place on the Adrienne Arsht Stage, within the warm wood veneers of the Starr Theater. In addition to world-class chamber music, Alice Tully Hall hosts numerous virtuoso concerts on its cathedral-sized, Swiss-made pipe organ. Learn more »

Accessible seating and designated aisle seats; Accessible restrooms and accessible routes

FM assistive listening devices with headsets and neck loops

The performance on April 17 at 7:30 pm will include Live captioning available on personal devices by scanning a QR code

The performances on April 17 at 7:30 pm and April 18 at 2:00 pm will include American Sign Languge interpretation

Audio Description available, providing live description for guests who are blind or have low vision through receivers and headsets

This event will be a Relaxed Performance, open to all, but designed for people with autism, sensory and communication disorders or learning disabilities. Chill out space and sensory materials are available. To learn more about what to expect at Relaxed Performances, visit this link.

For a visual guide describing wayfinding, venue details, and amenities, visit this link » Para obtener una guía visual con información sobre la orientación, los detalles del lugar y los servicios, visite este enlace »

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2025-26 Season

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What's on today, April 30th

6:30 pm

A Conversation on Carrying Legacy Forward

Lincoln Center Presents In collaboration with The Metropolitan Opera

List Hall, The Metropolitan Opera

7:30 pm

Mirror, Mirror by Miguel Farías

Lincoln Center Presents In collaboration with New Latin Wave

UPCOMING SHOWS

Friday, May 1 at 7:30 pm

Saturday, May 2 at 7:30 pm

with inti figgis-vizueta

Lincoln Center Presents In collaboration with New Latin Wave

Sunday, May 3 at 1:00 pm

With The New York Sewing Center

WORKSHOP

TEENS

Monday, May 4 at 1:00 pm

Thursday, May 7 at 1:00 pm

Virtual on Zoom

REGISTRATION REQUIRED

DANCE

Friday, May 8 at 11:00 am

Stephen Noonan in partnership with The PaperBoats

Friday, May 8 at 2:00 pm

Stephen Noonan in partnership with The PaperBoats

Friday, May 8 at 6:30 pm

Saturday, May 9 at 11:00 am

Stephen Noonan in partnership with The PaperBoats

Saturday, May 9 at 2:00 pm

Stephen Noonan in partnership with The PaperBoats

Saturday, May 9 at 7:30 pm

A Harlem in Havana Tribute Show

Sunday, May 10 at 11:00 am

Stephen Noonan in partnership with The PaperBoats

Sunday, May 10 at 2:00 pm

Stephen Noonan in partnership with The PaperBoats

Tuesday, May 12 at 7:30 pm

David Lindsay-Abaire and Christopher Durang

Lincoln Center Presents In collaboration with The Juilliard School

The Juilliard School

Friday, May 15 at 7:00 pm

Friday, May 15 at 7:30 pm

Saturday, May 16 at 2:00 pm

Saturday, May 16 at 7:00 pm

Saturday, May 16 at 7:30 pm

Mind and the Muse

Sunday, May 17 at 11:00 am

Lincoln Center Presents In collaboration with Lincoln Center Theater

Wednesday, May 20 at 11:00 am

Lincoln Center Presents In collaboration with The Juilliard School

REGISTRATION REQUIRED

MUSIC

Wednesday, May 20 at 1:00 pm

Lincoln Center Presents In collaboration with The Juilliard School

REGISTRATION REQUIRED

MUSIC

Thursday, May 21 at 7:30 pm

Lincoln Center Presents
In collaboration with The Metropolitan Opera

Lincoln Center Presents
In collaboration with New Latin Wave

Lincoln Center Presents
In collaboration with New Latin Wave

Lincoln Center Presents
In collaboration with The Juilliard School

Lincoln Center Presents
In collaboration with Lincoln Center Theater

Lincoln Center Presents
In collaboration with The Juilliard School

Lincoln Center Presents
In collaboration with The Juilliard School