Cry to the world/That all might understand:/I was once a black clown/But now—/I’m a man! Fusing vaudeville, gospel, opera, jazz, and spirituals, The Black Clown brings Langston Hughes’s famed 1931 poem to life in a stunning new music-theater piece. Powerful and prescient, the experience of a Black man’s resilience against a legacy of oppression unfolds, featuring baritone Davóne Tines in the title role. He’s joined by an ensemble of 12 and a chamber orchestra performing a vibrant score by Michael Schachter.

“Pure poetry… The cast spun, stomped, and soared through songs of joy, grief, and rage.”
– Boston Globe
“Powerful, stunning, and brilliantly innovative.”
– Edge Boston
“[A] singer of immense power and fervor.”
– Los Angeles Times on Davóne Tines

Watch

Venue

524 W. 59th Street

Accessibility

  • Large-print programs
    Large-print programs
  • Braille programs
    Braille programs
  • Wheelchair-accessible seating
    Wheelchair-accessible seating
  • Assistive listening devices
    Assistive listening devices

For questions about accessibility or to request an accommodation, please contact [email protected] or 212.875.5375.

For ticketing information and general questions, please call 212.721.6500.

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MUSIC I THEATER

The Black Clown

(New York premiere)
Starring Davóne Tines

Wednesday, July 24, 2019 at 7:30 pm Gerald W. Lynch Theater at John Jay College

Add to Calendar America/New_York The Black Clown Mostly Mozart Festival - The experience of a Black man’s resilience against a legacy of oppression unfolds in this stunning music- theater adaptation of Langston Hughes’s famed poem. Gerald W. Lynch Theater at John Jay College, 524 W. 59th Street, New York, NY 10023 Lincoln Center - Mostly Mozart Festival false MM/DD/YYYY aho3e0k00zv7rk56sm4e178

Adapted from the Langston Hughes poem by Davóne Tines & Michael Schachter
Music by Michael Schachter
Zack Winokur,
director
Davóne Tines (The Black Clown)
Jaret Landon, music supervisor
Chanel DaSilva, choreographer
Carlos Soto, set and costume designer
John Torres, lighting designer
Kai Harada, sound designer

Post-performance talk with Davóne Tines, Zack Winokur, and Chanel DaSilva on Thursday, July 25

Performance length: 70 minutes, no intermission

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A production of American Repertory Theater at Harvard University

 

With the kind cooperation of the Estate of Langston Hughes

 

Major endowment support for contemporary dance and theater is provided by the Doris Duke Charitable Foundation.