Jean-Pierre Léaud, from Antoine Doinel to Louis XIV, runs March 29-April 6 at the Film Society.
Jean-Pierre Léaud is to the French New Wave what Anna Magnani was to Italian Neorealism and what John Wayne was to American westerns: its spirit, its emblem, its avatar. The actor, who last year received the Cannes Film Festival’s Honorary Palme d’Or in recognition of a career spanning nearly 60 years, first broke through as François Truffaut’s on-screen surrogate Antoine Doinel in 1959’s The 400 Blows, and he won Best Actor at the 1966 Berlin Film Festival for Jean-Luc Godard’s Masculin féminin. Since then he has worked with French masters Jacques Rivette, Jean Eustache, Philippe Garrel, Bertrand Bonello, and Olivier Assayas, and such key international filmmakers as Tsai Ming-liang, Bernardo Bertolucci, Pier Paolo Pasolini, Aki Kaurismäki, Raúl Ruiz. On the occasion of the release of Albert Serra’s The Death of Louis XIV (NYFF54)—in which he delivers a magisterial, career-capping performance as the longest-reigning French monarch during his final days—the Film Society is proud to pay tribute to the prolific actor’s irresistible presence and undeniable legacy.
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.
More info: filmlinc.org
Subscribe: youtube.com/subscription_center?add_user=filmlincdotcom
Like: facebook.com/filmlinc
Follow: twitter.com/filmlinc
The nation’s premier chamber music organization, presenting innovative programming and an international roster of artists, both in New York City and on tour around the world.
Celebrating cinema from around the world, supporting new filmmakers, and enhancing awareness and understanding of the art form among a diverse film-going audience since 1969. #FilmLivesHere
In the Spirit of Swing. The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for Jazz through performance, education and advocacy. Learn more at jazz.org.
Lincoln Center for the Performing Arts serves three primary roles: world’s leading presenter of superb artistic programming, national leader in arts and education and community relations, and manager of the Lincoln Center campus.
One of New York’s favorite not-for-profit theaters, with Broadway productions at the Vivian Beaumont, off-Broadway productions at the Mitzi E. Newhouse, and new theater for new audiences at the Claire Tow.
Founded in 1948 by choreographer George Balanchine and arts patron Lincoln Kirstein, New York City Ballet is one of the foremost dance companies in the world, with a roster of more than 90 dancers and an unparalleled repertory of modern masterpieces.
Revitalizing the orchestral experience through the highest caliber of performances of great music from the past and today, as well as through evolving educational programs, tours, and media initiatives.
Home to a world-renowned collection, The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center offers an array of free public programs, exhibitions, and performances.
Home to the greatest artists in opera, the Met presents more than 200 performances each season, reaching millions around the world through groundbreaking media initiatives.
Founded by George Balanchine and Lincoln Kirstein, the School of American Ballet trains students aged 6 to 18 for careers in classical ballet. It is the official academy of New York City Ballet.