Artists Steve Reinke (A Boy Needs a Friend), Mike Stolz (Spotlight On a Brick Wall), & Zachary Epcar (Return to Forms) discussed their short films after their screening in Projections Program 7: Pop Culture Clash at the 54th New York Film Festival.
A Boy Needs a Friend
Steve Reinke, USA, 2015, digital projection, 22m
This latest installment of Final Thoughts, the series of unreliably narrated queer video essays that Reinke intends to continue until his death, takes love and friendship as its main subjects. Onto this he latches a long chain of endless digressions, which include, among much else, Stephen King and Joyce Carol Oates, the pleasures of needlepoint, and the design of an anal tattoo.
Spotlight on a Brick Wall
Alee Peoples and Mike Stoltz, USA, 2016, 16mm, 8m
An abstracted nightclub performance, its constituent parts—stand-up comedy, a capella, a laconic bass-and-drum rock duo, a slapstick mime—wrenched apart and recombined.
Return to Forms
Zachary Epcar, USA, 2016, digital projection, 10m
The surfaces and shapes of typical international contempo yuppie style are defamiliarized, staged in and around a condo in an unnamed urban environment.
Dream English Kid, 1964–1999 AD
Mark Leckey, UK, 2015, 16mm, 23m
North American Premiere
Dream English Kid traces the cultural developments in the life of a working-class English boy, between the start of the Nuclear Test Ban and Azzido Da Bass’s first EP, as a collage of images and sounds, locating the broadly shared within the idiosyncratic and personal.
The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The five-person selection committee is chaired by New York Film Festival Director Kent Jones and includes esteemed critics, curators, and programmers.
Since 1963, the New York Film Festival has brought new and important cinematic works from around the world to Lincoln Center. In addition to the Main Slate official selections, the festival includes newly restored classics, special events, filmmaker talks, panel discussions, an Avant-Garde showcase, and much more.
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.
More info: filmlinc.org