In Caetano Gotardo’s follow-up to The Moving Creatures, João, a middle-class filmmaker living and working in São Paulo, has extensive conversations with friends and strangers, including best friend Irene, who cannot let go of memories of her ex, or a young man he tries to pick up on the metro. Piece by piece, João’s encounters, discussions, and monologues increasingly inspire him, and he begins to reconsider his attitude toward the world around him. In addition to life and love, the creative process emerges as a recurring theme, recalling the films of Éric Rohmer and Hong Sang-soo.
Q&A with Caetano Gotardo · U.S. Premiere